These pressings have top-quality sound that's often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers ("relative" meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don't agree, please feel free to return the record for a full , no questions asked.

Want to hear The Beatles at their Tubey Magical best? Just play "You’ve Got to Hide Your Love Away" on this copy.

One of the reasons this song stands out in a crowd of great tracks is that there are only acoustic instruments being played. There's not an electric guitar to be found anywhere in the mix, one of the few tracks on side one for which that is true.

We flip out over the Tubey Magical acoustic guitars and harmony vocals found on early Beatles albums, and this song can be an exceptionally good example of both when you're lucky enough to have the right pressing playing.

What The Best Sides Of Help Have To Offer Is Not Hard To Hear

• The biggest, most immediate staging in the largest acoustic space
• The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in
• Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
• Natural tonality in the midrange -- with all the instruments having the correct timbre
• Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

Cutting The Tape

I can't tell you how many crude, high-frequency-challenged, harmonically distorted early Brit copies of Help we've played in our shootouts over the years. Some of the old cutting equipment clearly can be heard adding its own layer of distortion to the distortion that's already on the tape. Remember, this is a four-track recording with plenty of bounce downs in the final mix.

That said, on the better copies of Help, the presence of the vocals and guitars is so real it's positively startling at times. Turn up the volume good and loud on some of these tracks and it will be as if John and Paul were right there in your living room.

For side one I would go with "You’ve Got to Hide Your Love Away" or "I Need You," and for side two try "It’s Only Love" or "I’ve Just Seen a Face."

What We're Listening For On Help

• Energy for starters. What could be more important than the life of the music?
• Then: presence and immediacy. The vocals aren't "back there" somewhere, lost in the mix. They're front and center where any recording engineer worth his salt -- in this case, assisted by the legendary -- would put them.
• The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
• Then transient information -- fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
• Tight punchy bass -- which ties in with good transient information, also the issue of frequency extension further down.
• Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
• Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

You've Got To Play Them To Know How They Sound

The better import copies of this album sound amazing, but the average one is fairly mediocre. Most tend to be dull, lacking upper midrange presence as well as extension up at the very top. They look fine, they look like they should have an extended top end, but not that many do.

It just goes to show that the only way to find out if a record sounds any good is by playing it. We don't imagine many people have the extra time that's required to find, clean, and play multiple import copies of this record -- so why not let us do the work for you so that you can spend your free time enjoying this wonderful album?

reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

Where Can I Find Your Mono Beatles Records?

We do not sell Beatles records in mono.

And they didn’t even do the stereo mixes right some of the time, in our opinion. But wall to wall beats all stacked up in the middle any day of the week.

If you like mono Beatles records you will have to do your own shootouts for them, because we have never heard a mono Beatles record sound good enough to compete with our Hot Stamper stereo pressings.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of later pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic that is a key part of the appeal of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.

Track Commentary

The Tracklist tab above will take you to a select song breakdown for each side, with plenty of What to Listen For advice. Other records with track breakdowns can be found .