*NOTE: This record was not noisy enough to rate our M-- to EX grade, but it's not quite up to our standards for Mint Minus Minus either. If you're looking for quiet vinyl, this is probably not the best copy for you.

Vintage covers for this album are hard to find in exceptionally clean shape. Most of the will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG.

This period of Fleetwood Mac, from Kiln House (1970) through Mystery to Me (1973), has always been my favorite of the band; both of those albums would be at the top of my Desert Island list. I grew up on this stuff, and I can tell you from personal experience that it is an absolute thrill to hear it sound so good.

Until not that many years ago we simply were not able to successfully shootout Bare Trees, Fleetwood Mac's wonderful album from 1972. The pressings we were playing just didn't sound very much like Hot Stampers to us. British, German, Japanese, domestic originals, domestic reissues -- all of them left much too much to be desired.

Thankfully we can tell you that the better copies sound a whole lot better now than they did then.

What The Best Sides Of Bare Trees Have To Offer Is Not Hard To Hear

• The biggest, most immediate staging in the largest acoustic space
• The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in
• Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
• Natural tonality in the midrange -- with all the instruments having the correct timbre
• Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What To Listen For

Less grit -- smoother and sweeter sound, something that is not easy to come by on Bare Trees.

A bigger presentation -- more size, more space, more room for all the instruments and voices to occupy. The bigger the speakers you have to play this record the better.

More bass and tighter bass. This is fundamentally a rock record. It needs weight down low to rock the way wanted it to.

Present, breathy vocals. A veiled midrange is the rule, not the exception.

Good top end extension to reproduce the harmonics of the instruments and details of the recording including the studio ambience.

Last but not least, balance. All the elements from top to bottom should be heard in harmony with each other. Take our word for it, assuming you haven't played a pile of these yourself, balance is not that easy to find.

Our best copies will have it though, of that there is no doubt.

One Tough Album (To Find and To Play)

Not only is it hard to find great copies of this album, . You're going to need a hi-res, super low distortion front end with careful adjustment of your arm in every area -- VTA, tracking weight, azimuth and anti-skate -- in order to play this album properly. If you've got the goods you're gonna love the way this copy sounds. Play it with a budget cart / table / arm and you're likely to hear a great deal less magic than we did.

Vinyl Condition

Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.

Track Commentary

The track commentary for this record is extensive. Click on the Tracklist tab above to read all about it.

Other records with individual track breakdowns and plenty of What To Listen For advice can be found .