Achieving just the right balance of "Moody Blues Sound" and transparency is no mean feat. You have to be using the real master tape for starters. Then you need top end extension, a very rare quality on these imports, and finally, good bass definition to keep the bottom end from blurring and bleeding into the midrange. No domestic copy in our experience has ever had these three qualities, and only the best of the British imports (no Dutch, German or Japanese need apply) manages to get all three on the same LP.

Allow me to steal some commentary from a Moody Blues Hot Stamper shootout we did years ago, for the wonderful In Search of the Lost Chord, in which we say that, on the better Hot Stamper pressings, the clarity and resolution come without sacrificing the Tubey Magical richness, warmth and lushness for which the Moody Blues recordings are justifiably famous.

It's so correct from top to bottom, so present and alive, while still retaining all the richness and sweetness we expect from British Moody Blues records, that I would find it hard to believe you could do much better, in this life anyway.

We guarantee this copy will take the Moodies' wonderful music to a level you have never experienced in all your music-loving days.

What The Best Sides Of A Question of Balance Have To Offer Is Not Hard To Hear

• The biggest, most immediate staging in the largest acoustic space
• The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in
• Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
• Natural tonality in the midrange -- with all the instruments having the correct timbre
• Transparency and resolution, critical to hearing into the three-dimensional space of the studio

No doubt there's more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We're Listening For On A Question of Balance

• Energy for starters. What could be more important than the life of the music?
• The Big Sound comes next -- wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
• Then transient information -- fast, clear, sharp attacks for the guitars and drums, not the smear and thickness common to most LPs.
• Tight, note-like bass with clear fingering -- which ties in with good transient information, as well as the issue of frequency extension further down.
• Next: transparency -- the quality that allows you to hear deep into the soundfield, showing you the space and air around all the players.
• Then: presence and immediacy. The musicians aren't "back there" somewhere, way behind the speakers. They're front and center where any recording engineer worth his salt would have put them.
• Extend the top and bottom and voila, you have The Real Thing -- an honest to goodness Hot Stamper.

Vinyl Condition

Mint Minus Minus is about as quiet as any vintage UK pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)

Those of you looking for quiet vinyl will have to settle for the sound of later import or domestic pressings, or -- even worse -- the Heavy Vinyl reissue, purchased elsewhere of course as we have no interest in selling records that don't have the vintage analog magic of these wonderful recordings.

If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that's certainly your prerogative, but we can't imagine losing what's good about this music -- the size, the energy, the presence, the clarity, the weight -- just to hear it with less background noise.